Simplifying contemporary art galleries in New York City

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Loris Greaud @ Pace

Press releases are often boring. Then again so are most exhibitions.  This one is not, nor is the other.  Here’s an excerpt:

‘…Gréaud continues to “remix the fabric of reality,” constructing unique environments that house subtle spatiotemporal disruptions to alter and expand the subliminal boundaries of perception and reflection.’

Yeah… I’d say that’s about right.

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Lucio Fontana @ Gagosian

Gagosian has reconstructed their massive 24th Street location into what can only be called the first and best Lucio Fontana museum in the world.  Every major museum on the planet has one of Fontana’s famous “slashed” canvases, but that isn’t the focus of this exhibition (though they boast the show contains more than a hundred of them).  The focus is 6 “environments” – several rooms (and a maze)that submerge the viewer in a 3 dimensional world of glow-in-the-dark awesome.  My favorite is the small room you enter through a very narrow “slash” in the wall – that, as with every other small room

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Xylor Jane @ CANADA

The best art on the planet changes my mind.  If someone asked me to describe my ideal painting a few years ago, no adjective would describe to a Xylor Jane painting.  And yet she’s one of my absolute favorite painters working today.  I don’t understand the complex mathematics involved in each and I don’t even care – they’re a pleasure to watch.  (I use the word “watch” because of the amount of time I spend looking at them).

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Richard Avedon @ Gagosian

A photo can transport you to a time and a place OR keep you where you stand, admiring the contrast, composition, and artistry of the object.  What I love most about Avedon is his ability to do both simultaneously.  I was born after these photos were taken and I only immediately recognized the most famous (Warhol, Ginsberg), but the beauty of the photographs kept me in place, made me curious, and has had me on Wikipedia the last 2 days learning everything about who these people were. In the end I’m transported like never before to the late 60s… and I want to go back to the gallery.

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Anish Kapoor @ Gladstone

The sculptor of Chicago’s famous “bean” (and London’s Olympic soon-to-be-famous “orbit”) presents 2 very different bodies of work at both Gladstone locations.

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Holton Rower @ The Hole

A simple concept is taken to it’s awesome extreme. Take a can of paint, pour it on a spot, then repeat with a different color in the same spot hundreds (thousands?) of times. Optional bonus: place various obstructions in the way to force the paint to flow in strange patterns.

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Elizabeth McAlpine @ Laurel Gitlen

This exhibition's charm is in how it reveals itself as you discover it in the gallery.  So go see it first, THEN pick up the press release in the gallery.

BUT if you’re not in New York and are intensely curious, here you go (and seriously if you ARE in New York, you’re only cheating yourself).

Here’s how it will (and should) happen for you:

The first thing you notice is what looks like pieces of a plaster model for a skateboard park.  They’re oddly seductive and curious. 

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Sherrie Levine @ Paula Cooper

I’m typically an anti-title-ist.  But Sherrie Levine’s latest work “A Dazzle of Zebra” will live on in my mind as one of the few great exceptions.   This piece has no overt references to zebras what-so-ever, but with that catchy memorable title (written on the wall as you enter) is stuck in your brain, you begin to look for things and notice things you wouldn’t otherwise.

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Brice Marden @ Matthew Marks

With every passing show I become an exponentially bigger fan of Brice Marden.  His latest, smaller and very different work on marble is worth a couple trips to fully appreciate it.  I just caught this advertisement in ArtForum after already visiting the show twice and I love it.  It confirms my belief that, as much as I like his work in the galleries, his work belongs outside of them. Check the ad out here on Flickr.

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Michael DeLucia @ Eleven Rivington

The Eleven Rivington Gallery has grown beyond its namesake (11 Rivington St). Michael DeLucia inaugurates this new additional space at 195 Chrystie Street with his computer carved plywood sheets.  The show is split between the 2 spaces that are less than a block apart. 195 is my favorite but you should definitely check them both out.

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