Simplifying contemporary art galleries in New York City

in the studio

Clock Move

Before I moved my webcam (see 6/29 post here) I had a digital clock in the lower left corner of view.  The purpose was to prove it was a 24 hour camera even when the lights were off at night.  It was mounted on the wall, out of my field of vision.  I've been hesitant to move the clock because under the new set-up, it WOULD be in my field of vision and (a) I don't like to know what time it is while I paint and (b) it's REALLY bright orange.

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Webcam Move

For the last year, my studio webcam hung on the back wall.  It showed the whole studio, but the resolution was too poor on my painting.  So until I get a better camera (or two of them), I moved the camera closer.


Here is what I jury rigged on my ceiling (completely adjustable).  


Before and after the move.

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A New Easel

 The moving walls work great but created a new problem: my painting easel can no longer lean against the wall - something that provided both more space and added support.  SO! I spent the last couple weeks designing and building an easel with some extra wood.


adjustable support bar (once i drill more holes)


feet that reach over the sliding wall and won't move around or scuff the wall

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Sliding Walls

 My apartment is a very long hallway.  When I moved in 3 years ago, I created a painting studio by curtaining off a section with some old velvet theatre curtains.  Though very successful at constraining light, sound and fumes, they collected too much dust and I've gotten tired of tripping over them.  So! Last month I built sliding walls that glide easier and look much cleaner.


The wall frames were jointed with a handsaw, then drilled and chiseled to make room for the rollerblade wheels.

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