



We're finalizing a few details of the soon-to-be-fully-functional "weekly header images". Every week the header at the top of the screen will change. It's great practice for me as I learn photoshop and gives you something to check out even if there are no new shows. The images don't really relate to anything (content or season) - they're just a little visual flare.
When I have some down time at work, I "sketch" out ideas on MS Paint. Here are a few that I have yet to "photoshop".
The tutorial videos are updated! It took a lot longer than I planned - changing the screenshots and adding some content. There's still a few changes I want to make but they're good enough to post. If you didn't already watch them on the main page, here they are:

The "medium" category has always had images representing the specific "medium" rather than images of the show (see 9/6 blog post). You can now simply "mouseover" on those images of the camera, paint can etc. to see the image of the show. Give it a try!.

Before I moved my webcam (see 6/29 post here) I had a digital clock in the lower left corner of view. The purpose was to prove it was a 24 hour camera even when the lights were off at night. It was mounted on the wall, out of my field of vision. I've been hesitant to move the clock because under the new set-up, it WOULD be in my field of vision and (a) I don't like to know what time it is while I paint and (b) it's REALLY bright orange.
Today I moved the clock back in view. My simple solution: unplug it when I paint.

There will be some pretty cool (and extremely useful) RSS functions of TTP coming soon. For now, feel free to keep tabs on this blog using this URL:
Bad planning on my part. Next year I'm making sure that my trip to Italy isn't the day after "opening weekend" in New York.

Venice:
Certainly plenty of great "wow factor" installations... (if you're curious, I thought "crowsfeet" had a good sampling of pictures on Flickr). But two artists in particular really grew on me (and continue to be on my mind). I enjoyed Susan Hefuna's layered drawings on tracing paper more every single time I saw them (I'm nearly obsessed now). And Alessandro Pessoli's small religious paintings on paper with subtly innovative framing also became a favorite only after I had to wait in that gallery for 10 minutes for a film in an adjacent room (and glad I did).

Dusseldorf:
I had a great chat with the Sies + Hoke Gallery about the potential purchase of a Claudia Weiser. Great to talk to Alexander, Nuria, Lucas & Diana. Though there wasn't an immediate love connection with the available works, there are a few under consideration and I will certainly continue to pursue future drawings by Claudia.

After two full days of gallery hopping (i saw an additional 34 galleries today), I'm packing for Germany & Italy. I'll spend a few days at the Venice Biennale and then to Dusseldorf to talk to a gallery about a possible purchase. This will be my 3rd Biennale! I've successfully avoided all write-ups of the event (the Biennale lasts about 6 months and though "everyone" goes in June, it's much cheaper and easier to go later - besides I've never really been one for "openings"). I'll write a quick post about my trip when I get back on Friday.n
I have a difficult (and exciting) schedule on Friday - 49 scheduled* galleries in Chelsea and 13 scheduled* galleries in the Lower East Side. Over the years of gallery hopping I've determined that my "top speed" in Chelsea is about a 6 minute average at each gallery with a 30 second travel time average between each. The Lower East Side is more like 4 minutes per gallery & 3 minutes travel between. With the transportation from Chelsea to The L.E.S. I'm looking at approximately 7 hours and 23 minutes if I don't take a break**.
Saturday I will see galleries that don't open until the 12th (i haven't even looked at the list yet) and return visits to anything I found interesting on Friday.
* I have a computer aided system that schedules me to see all shows at galleries that I have rated highly in the past. To this I've added shows I've heard about that seem interesting. This does not account for many galleries I walk by and enter on a whim.
**I have a bag of trail mix and a bottle of water, which I use sparingly to eliminate bathroom breaks.

The new version of TTP is almost ready. I say "ready" and not "done" because there are dozens of improvements and additions to come this year.
The most noticeable change is the inclusion of images for every show. I'm using whatever image the gallery is using to promote the show - which tends to be both enticing and vague.
Since my summer was spent on the website rather than a new video tutorial, I've been spending my Labor Day weekend "updating" the existing 2 videos. If all goes well those updated videos will premier next weekend!
TTP will open in September with not one, but THREE "compare charts" - for Chelsea, the LES, and for all the museums. Like the old chart it will include my recomendations stacked against the recommendations of other publications. We're currently fine tuning the new system which will automatically update based on my database of information and viewing notes.
I took a break last weekend and headed up to Storm King Art Center, an inspiring and exhausting day at the 500 acre sculpture park. Here is one of my favorites.

Mark di Suvero
"mon pere mon pere"
Steel I-beams. 1973-1975.