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I'll be taking the next two days off work to see as much art as I possibly can. There are MANY art fairs with hundreds of galleries at each. It's a challenge of mental endurance to stay highly focused for 8 hours straight... there is no lunch break (I bring trail mix and two bottles of water).
Above is a Google map of everything I want to see this weekend. I got the idea from Jen Beckman Projects via ArtFagCity - my map is customized slightly different to meet my specific needs.
My current plan is:
THURSDAY (blue)
Armory (pier 92) noon-3:30
Independent 7-9
FRIDAY (red)
Armory (pier 94) noon-5:30
Pulse 6-8
SATURDAY (green)
ADAA noon-4
Scope 5-6:30
SUNDAY (yellow)
Flex Day – See any of the above if I ran out of time. See Fountain, Verge, Red Dot and/or PooL as time allows, depending on reviews/recommendations.

I walked through the Whitney Biennial twice this weekend. Below is a list of my favorites (in order) along with 2 disappointments.
#1 Michael Asher – his “piece” is having the Whitney open 72 hours straight beginning May 26 @12:01am. I’ll be there at 4 am for sure – I’ve never visited a museum and then watched the sun rise… and then had breakfast.. and then gone into work.
#2 Kerry Tribe – A fantastic, must-see double projection film where one film is 20 seconds behind the other. Extremely smart and poetic.
#3 R.H. Quaytman – Always a favorite of mine in my gallery visits, Quaytman delivers something more for the Biennial. Highlighting the iconic window in the room, she suddenly made me consider that window as HER sculpture.
#4 Sharon Hayes – I don’t like video art in large curated shows– mostly because I like to watch films in their entirety and I don’t have the patience to sit through 6+ hours of art films. But my "top list" is 3/5ths film!!! So bravo. Hayes’ film installation is fun without being silly, strange without being weird, and challenging without being difficult.
#5 Ari Marcopoulos – The film was good (2 kids mixing “effects pedals”) but the context made the experience. The HUGE room makes the film feel more claustrophobic and gives you room to dance to music that is… undanceable.
Disappointments:
Alex Hubbard - The artist I was most looking forward to (see my blog post) let me down for the first time. It was both too much and not enough.
George Condo – Like him or hate him, his painting felt the most “dated” (i.e. out of date) in the whole show
In Chelsea, it’s easy to pop into 20-30 more galleries that aren’t on my “must see” list if I have extra time. Unfortunately, things are so spread out and semi-hidden in the Lower East Side, it isn’t so easy to diversify my viewing on a whim. So this weekend I planned a good 30+ gallery route through the Lower East Side to see what was up at galleries I seldom visit.
Congratulations to BLT gallery, and Kumukumu gallery – Though neither made "The Top Five" this week, I’m curious enough to add them to my high priority “see every show list" and look forward to visiting regularly. If you know you’re an awesome gallery in the L.E.S., chances are you’re already on the list.
Above is a current picture of a portion of the ever-changing graffiti wall in Chelsea – right outside EYEBEAM on 21st Street.

Today I caught up on a few museum shows I've been meaning to see...
@ The Met
The Drawings of Bronzino
The double-sided drawings with vandalism or "child drawings" were my favorite on multiple levels.
Young Archer Attributed to Michelangelo
The wall text was the most interesting (in a good way).
Surface Tension: Contemporary Photos from the Collection
Not much I haven't seen before - but I'm always a sucker for Wolfgang Tillmans
@ The Guggenheim
Tino Sehgal
Only had time for a 3 minute peek, but it's already made my #1 museum pick.
@ The Whitney
Omer Fast
Currently on my "top five" for his Chelsea show, this was better.
Collecting Biennials
The biennial info/angle didn't add much for me. A good idea none-the-less.

One of the goals of this website is simplification. The art scene in NYC (like most other “scenes” here) is complex and overwhelming…. To cover it all is impossible, not only logistically, but at some point a website becomes un-navigate-able. One downside is that I occasionally see shows outside of Chelsea and the Lower East Side that I'd really like to talk about. For those who read my blog – I’ll start writing them here in a new category I will call “Off the Chart(s)”.
Alex Hubbard @ Maccarone
630 Greenwich Street
I’ve been following Alex Hubbard for a few years. “Video Art” isn’t something I usually get too excited about. However, Hubbard’s work is not only good, it’s so good it makes me reconsider owning video art. One of my issues with video art is its tendency to steadily decrease in interest after 1 viewing – however these (like his previous film works) I watched over and over and over. I also LOVE the fiberglass paintings in the south gallery– The first time I saw Rudolf Stingel’s paintings I noted: “like Rothko but cooler” (so not to be accused of blasphemy, I said “cooler”, not “better”). For these paintings I wrote only: “…even cooler”.
Miroslav Tichy @ ICP (International Center of Photography)
1133 Avenue of the Americas
I’m a little bummed that the show is smaller than I had hoped… but I loved these photos the first time I saw them at the Armory last year. They have this Darger-esc “innocent/creepy” thing going on in a slightly different way. The short documentary playing in the back gallery was well worth the $12 admission.

This weekend I took (pictured above from left) Mike, Jane, Marie & Hunter to see 5 shows plus a bonus gallery! Rather than go straight from "The Top Five", I chose only 3 of the 5 and added some different shows to create a more rounded experience. We saw five shows in different mediums dealing with "alternative portraiture" - a very loose category that I just made up. We saw:
Film: Grace Schwindt @ White Columns
Sculpture: Daniel Rozin @ bitforms
Painting: Roy Newell @ Carolina Nitsch
Photography: David Maisel @ Von Lintel
Installation: Anthony McCall @ Sean Kelly
The "bonus gallery" was a performance at Greene Naftali.... just artsy people being half naked, drunk and artsy.
I've asked them to comment on their experience below.

I'm having fun with the new review I'm writing... I usually create the "title image" and write the review at the same time... almost like they both help each other out. So last night I played around with photoshop for a couple hours and am pleased with the result (above) that looks like a tattoo on a pure white ground without getting too specific. The review is almost finished - I'm writing the whole thing "Momento style" (backwards). Like the movie, it's a lot of fun but gives me a headache.
The webcam has been down since mid-November when I moved. A million complications arose (okay maybe only like 6.. but it felt like a lot). I needed new longer cables and had to cut and re-splice the cable (not an easy task on an ethernet cable) to run the wires where I needed them in the house. The camera is Mac compatible, but needs to be configured on a PC. When I finally borrowed a PC, I couldn't find the installation CD and ended up figuring a way around it in discussion groups. And then it wouldn't work with my new router... and then I couldn't get the password protection removed... the list goes on. Bottom line: it's up and running now. I'll move it closer to the painting in a few days to get better detail.

This weekend I took two separate tours. The first tour was for my girlfriend's parents - Linda & Roger (soon to be pictured on the right). The second tour was with my co-worker Ann and her boyfriend Joe.
We all saw:
Primary Atmospheres: California Minimalism 1960-1970 @ David Zwirner
- especially to see how James Turrell compares to Anthony McCall later.
Roy Newell @ Carolina Nitsch
William Daniels @ Luhring Augustine
Anthony McCall @ Sean Kelly
I've invited them to leave comments on this post about their experience.

All the things I do (see galleries, paint pictures, update this website, give tours, read blogs, buy art, and write reviews) I do because I’m trying to "see" art and want to do so from as many perspectives as possible. In doing so many different things, I’m unable to “master” any one thing but I hope that each of those things widens my view and allows me to see something much bigger. What I haven’t done, and what a recent show inspired me to do, was to conduct an interview. In this case I had the pleasure of talking with Richard Dupont, a sculptor who curated a show of paintings by Roy Newell at Caroline Nitsch Gallery. Read my review of the show. The full text of the interview is here. My brand new digital voice recorder is pictured above.